Heinz Boeck, Alan Cotton,
Bogdan Dullsky
28 Feb - 24 March
Heinz Boeck
‘a recollection of symmetry’
The works in this exhibition ‘a recollection of symmetry’ are assemblages (sculptural and graphic collages) of pre-manufactured found elements, objects and designs re-configured into sculptures, installations and graphic designs.
Poetry, at its essence, is an assemblage of words, letters and numerals often using random and abstract formats that can challenge everyday norms of perception, meaning and understanding.
My artworks function in a similar way: as assemblages of disparate elements when placed together in new combinations and contexts, give rise to compositions embodying an entirely new sensibility and meaning. Something that did not exist previously, comes into existence.
Art already exists in the poetic realm carrying meaning beyond the literal; expressing the inexpressible in poetic transformations (beyond literal semantics). In this regard I consider each of my artworks as a self-contained expression or transformation of meaning.
Alan Cotton
‘Frameworks’
I am currently interested in the boundaries of painting, sculpture and photography. Using found objects I like to experiment, repurpose and paint on diverse surface textures. In this body of work, I explore my interest in the linear foundations of nature and man-made objects, and how light illuminates these elements. I also use symbolic imagery / ideas, to represent social and environmental awareness, using both tactile visual mediums and the moving digital image.
Bogdan Dullsky
‘Everything is Conditional that the Reserve becomes Tangible’
Sound Forum #1 curated by Lee-Ann Joy
Hello, I’m an artist from Moldova, Region Transnistria.
For me the opportunity to be accepted in this exhibition is an opportunity to share my vibe with the art community of Melbourne, to exchange art and experience an alternative way of life.
My social philosophy is to Respect every Person, No Racism, No Sexism, and No Discrimination!
My art is in the field of experimental drone and ambient music, which I have been creating and studying for approximately 20 years.
My music and video are an emotional healing meditation.
The first things to consider are the given circumstances. It’s a bit like an actor trying to relive something with his heart, albeit inside the limits of the stage. He tries both to relive his character’s experience and to allow it ‘through’ him. In the same way - in those same circumstances of an amorphous room – you have to hunt down the main thing.
It’s what people sometimes call ‘liberty.’ The driving force behind this project was something similar; we were looking both for stimuli and reactions.
‘a recollection of symmetry’
The works in this exhibition ‘a recollection of symmetry’ are assemblages (sculptural and graphic collages) of pre-manufactured found elements, objects and designs re-configured into sculptures, installations and graphic designs.
Poetry, at its essence, is an assemblage of words, letters and numerals often using random and abstract formats that can challenge everyday norms of perception, meaning and understanding.
My artworks function in a similar way: as assemblages of disparate elements when placed together in new combinations and contexts, give rise to compositions embodying an entirely new sensibility and meaning. Something that did not exist previously, comes into existence.
Art already exists in the poetic realm carrying meaning beyond the literal; expressing the inexpressible in poetic transformations (beyond literal semantics). In this regard I consider each of my artworks as a self-contained expression or transformation of meaning.
Alan Cotton
‘Frameworks’
I am currently interested in the boundaries of painting, sculpture and photography. Using found objects I like to experiment, repurpose and paint on diverse surface textures. In this body of work, I explore my interest in the linear foundations of nature and man-made objects, and how light illuminates these elements. I also use symbolic imagery / ideas, to represent social and environmental awareness, using both tactile visual mediums and the moving digital image.
Bogdan Dullsky
‘Everything is Conditional that the Reserve becomes Tangible’
Sound Forum #1 curated by Lee-Ann Joy
Hello, I’m an artist from Moldova, Region Transnistria.
For me the opportunity to be accepted in this exhibition is an opportunity to share my vibe with the art community of Melbourne, to exchange art and experience an alternative way of life.
My social philosophy is to Respect every Person, No Racism, No Sexism, and No Discrimination!
My art is in the field of experimental drone and ambient music, which I have been creating and studying for approximately 20 years.
My music and video are an emotional healing meditation.
The first things to consider are the given circumstances. It’s a bit like an actor trying to relive something with his heart, albeit inside the limits of the stage. He tries both to relive his character’s experience and to allow it ‘through’ him. In the same way - in those same circumstances of an amorphous room – you have to hunt down the main thing.
It’s what people sometimes call ‘liberty.’ The driving force behind this project was something similar; we were looking both for stimuli and reactions.
